Not a soul can resist Carmen’s seductive charm, not even the naïve Don Jose. Arrested after a scuffle, Carmen, a fiery gypsy, seduces the corporal Don Jos&233 , Mica&235 las fianc&233 , and promises her love if he lets her escape.Libretto by Ludovic Halévy and Henri Meilhac The opera’s depiction of
She also sang Carmen at the Hawaii Opera Theatre, performed in concert with the Zürich Chamber Orchestra, and appeared in galas with the Orchestre National de France and at the Avenches Opera Festival in Switzerland. In the 2017/18 season, Aldrich made her role debut as Joan of Arc in The Maid of Orleans with Odyssey Opera in Massachusetts, after which she sang her first Verdi Requiem with the Pittsburgh Symphony. In addition to a series of concerts in Lyon singing Wagner’s Wesendonck Lieder, the soprano appeared in concert in Salzburg, New York City and Sun Valley.
Carmen Opera Professional Debut At
In 2012, Aldrich also made her debut at the Teatro Real de Madrid as Sesto, returned to the Teatro Regio in Torino as Adalgisa in Norma, and sang her first Romeo in Bellini’s I Capuleti e I Montecchi at the Caramoor Festival under Will Crutchfield.In 2000, Kate Aldrich made her professional debut at l’Arena di Verona as Preziosilla in La forza del destino. Etienne, a work that had not been performed in over 100 years. She also sang Sesto in La clemenza di Tito with the Opera Municipal de Marseille and starred in the concert performances of Massenet’s Le Mage at the Massenet Festival in St. Highlights from the 2012/13 season included her debut at the Opera National de Paris as Nicklausse/The Muse in Les contes d’Hoffmann, her debut in Zurich and Seoul as the title role in Carmen, and her debut with the Royal Concertgebeouw Orchestra in Amsterdam in Frank Martin’s Golgotha. She also sang Idamante in Idomeneo re di Creta with Opera de Lyon and Giovanna Seymour in Anna Bolena with Opera de Toulon and the Bolshoi.In the 2013/14 season, Aldrich sang Adalgisa in Norma at the Metropolitan Opera, Leonore in a new production of La Favorite at the Theatre du Capitole de Toulouse, and Carmen at the Deutsche Oper Berlin, Opernhaus Zurich, and in Seoul and Beijing. In the 2014/15 season, she sang the title role in Carmen with Opera de Lyon and the Vancouver Opera, later appearing in the same role at Choregies d’Orange opposite Jonas Kaufmann.
Aldrich returned to Torino as Orsini in Lucrezia Borgia and debuted at the Washington National Opera in the same role. She made her Carnegie Hall debut with the Opera Orchestra of New York as Frederic in a concert performance of Mignon and sang her first Charlotte in Werther opposite Roberto Alagna at the Teatro Regio in Torino, later repeating the role in Japan with Opera de Lyon. Aldrich then developed her repertoire with performances as the title role in Handel’s Giulio Cesare at the Deutsche Oper am Rhein in Düsseldorf and Staatsoper Hamburg, Sesto in La clemenza di Tito in Prague, and Rosina in Il Barbiere di Siviglia and Isabella in L’italiana in Algeri at the Teatro Sao Carlos in Lisbon.
She has performed Eine Florentinische Tragoedie and Ravel’s Sheherazade with l’Opera de Montpellier and Stravinsky’s La Pulcinella and Debussy’s Le Martyre de Saint Sebastian with the Orchestra National de Radio France, under the baton of Daniele Gatti. Aldrich has also performed both the soprano and alto solo parts of La Petite Messe Solenelle at the Rossini Opera Festival in Pesaro and the Washington National Opera, respectively.Several of Aldrich’s performances have been issued on DVD, including Benvenuto Cellini, La Favorite, Norma, Zelmira, Don Quichotte and Rienzi, as well as Werther opposite Roberto Alagna at the Teatro Regio di Torino. She appeared as Adriano in the Deutsche Oper Berlin’s new production of Wagner’s Rienzi and was also heard in the title role of Ernest Reyer’s rarely performed Salammbo in Marseille.On the concert platform, Aldrich has performed Das Lied von der Erde with the Bologna Symphony and Eine Florentinische Tragoedie with the San Francisco Symphony, both under the direction of James Conlon. Aldrich has also starred in revivals of such less performed works as Mariotte’s Salome with l’Opera de Montpellier and Massenet’s Don Quichotte at the Teatro Colon in Buenos Aires and in Tokyo. Her first appearances at the Gran Teatre del Liceu in Barcelona also marked her debut as Nerone in Monteverdi’s L’incoronazione di Poppea.
He was also seen at UCLA’s Royce Hall as a tenor soloist in Rachel Fuller’s Animal Requiem. He continues with Contareno in a new production of Rossini’s Bianca e Falliero in Frankfurt. Sledges started the 2019-2020 season making his role debut as Pinkerton in Madama Butterfly in a Metropolitan Opera’s “Live in HD” transmission. Etienne, France.Bruce Sledge is one of today’s most in-demand lyric tenors and sings a wide variety of repertoire with many international houses.Mr.
Sledge included big personal successes as the Duke in Rigoletto and Paolo Erisso in Maometto Secondo with the Santa Fe Opera and a return to the Metropolitan Opera for Thomas Ades’ The Tempest. Sledge’s 2016-2017 season included a return to the Welsh National Opera for performances in two leading roles, Lorenzo in The Merchant of Venice and Macduff in Macbeth, a return to the roster of the Metropolitan Opera, and a performance with the Defiant Requiem in Vienna.Other projects for Mr. Sledge returned to the Vancouver Opera to sing the Duke in Rigoletto, made his debut at the Canadian Opera Company as Paolo Erisso in Maometto Secondo, and returned to the roster of the Metropolitan Opera.Mr. Sledge returned to the Deutsche Oper Berlin for performances of Jean in Le Prophète and to the Canadian Opera Company for Lord Percy in Anna Bolena as well as to the Santa Fe Opera as Bacchus in Ariadne auf Naxos and to the Metropolitan Opera roster.Prior to that, Mr.
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